Restored Traditional Pianos
Why choose a traditional restored piano (built 1890-1940)?
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| A traditional piano (Lipp) |
- The best ones have a superior tone compared to most modern pianos;
- They have more elegant cabinets, more beautiful veneers - sometimes with intricate marquetry;
- They hold their value better;
- Traditional pianos are NOT made with chip-board or 'MDF' board, nor do they have any plastic components;
- Many have real Ivory-covered keyboards;
- They were built by craftsmen using solid, seasoned wood to a high standard and thus have a life expectancy of 80-100 years before the need for restoration.
BUT...
Not all traditional pianos are worthy or restoration: many lesser-known makes/models are not sturdy enough or musically good enough, musically, to justify the investment.Selection, therefore, is paramount.
What makes of Traditional Piano are favoured?
- The 'Big Four' - famous makers highly regarded throughout the world. They are Bösendorfer, Steinway, Bechstein and Blüthner. We are experienced in the restoration and retail of all these makes, however we are C Bechstein specialists.
- The better-known German makers. They include Grotrian Steinweg, Richard Lipp and Rud. Ibach etc.
- The better-known English makers, such as Broadwood, Chappell, Brinsmead etc.
- Other reputable makers, such as Erard, Pleyel and Anton Petrof etc.
What is our view on Modern Pianos?
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| A modern piano (Calisia) |
- The majority are built in the Far East, but also in the USA, China and Russia/former Eastern bloc countries. A number of smaller manufacturers in Western Europe still build pianos.
- The majority are mass-produced in assembly-line style factories. In order to keep manufacturing costs down, the quality of parts used varies, kilns are used to artificially `season' wooden parts and even soundboards can be made out of multilaminated wood !
- Cabinets are usually lacking in character or refinement.
- They lose their value quicker, compared to traditional pianos.
- Be wary of cheaply-priced instruments with German-sounding names. They are likely to have been built in China or the former Eastern Bloc. In our experience, they are poorly constructed and have a limited life-expectancy.
However... Pianos built by the `Big Four', and smaller Western European companies, still offer reasonable value. Pianos made in Japan & South Korea also deserve consideration. Prices of these makes/models tend to be higher, but in our view these prices are usually justified.


